- The Killing of a Sacred Deer
You know it's something special when there's virtually zero acting and you still can't take your eyes (and ears) off it. How did Yorgos Lanthimos go from The Lobster to this? - Dunkirk
Gospel truth: Christopher Nolan works on a different planet. There are a few things you can nitpick here, but in its entirety it's a masterpiece. Just the fact that a genre film succeeded outside its conventions is enough to end debates.
- Get Out
Everything this touches turns to gold. Suspense, check. Humour, check. Intelligence, check. Flawless, not just for a debut director, but any director.
- Blank 13
Touching and funny, never have I seen a film take a 180-degree change in tone and still works.
- The Square
Films that make you uncomfortable are usually good films. This pummels you until you want to slit your throat, while offering a cutting critique of so many issues I shan't list them.
- Logan
A superhero movie like no other. Compelling characters, gritty action, utterly depressing.
- No Date, No Signature
Like most great Iranian films, an intriguing premise laced with social commentary. Nobody does hopelessness like Iran.
- 分贝人生
A poor and dysfunctional Chinese family in Malaysia. And it gets worse. A tragic story through and through.
- The Big Sick
They don't do rom-coms like this anymore. A good romance doesn't have to be smart; a smart film rarely pairs with a good love story. This picture achieves all these and much more.
- Star Wars: The Last Jedi
I have to save a spot for this. Simply helming a project like this and not messing up is an achievement.
Saturday, December 30, 2017
my top 10 films of 2017
Wednesday, December 27, 2017
i like motion pictures
over and over, Episode 8 preaches hope and renewal. where JJ Abrams delivered fan service with Episode 7, Rian Johnson nudges traditionalists in a new direction.
let go of the past and the three original heroes. Jedi or no Jedi, hope does not die.
it is a plot yet also a message to fans.
the greatness of Episode 8 is not a rebirth that promises great future films. they might not, they might suck. the true greatness of Episode 8 is giving you hope about future films, and sometimes, hope itself is enough.
let go of the past and the three original heroes. Jedi or no Jedi, hope does not die.
it is a plot yet also a message to fans.
the greatness of Episode 8 is not a rebirth that promises great future films. they might not, they might suck. the true greatness of Episode 8 is giving you hope about future films, and sometimes, hope itself is enough.
Sunday, December 24, 2017
The Boxer 20th anniversary
20
years ago this month. a film that tackles and works on so many levels
-- a man turning over a new leaf, the Northern Ireland conflict, boxing,
love. also when DDL starting to make his mark.
Wednesday, December 20, 2017
Wall Street 30th anniversary
30 years ago this month. the original capitalism film.
"The point is, ladies and gentleman, that greed, for lack of a better word, is good. Greed is right, greed works. Greed clarifies, cuts through, and captures the essence of the evolutionary spirit. Greed, in all of its forms; greed for life, for money, for love, knowledge has marked the upward surge of mankind."
"The point is, ladies and gentleman, that greed, for lack of a better word, is good. Greed is right, greed works. Greed clarifies, cuts through, and captures the essence of the evolutionary spirit. Greed, in all of its forms; greed for life, for money, for love, knowledge has marked the upward surge of mankind."
Monday, December 18, 2017
P.S. I Love You 10th anniversary
10 years ago this month. not a genre i typically venture to but a beautiful film.
Saturday, December 16, 2017
i like motion pictures
rewatched Shakespeare in Love after 19 years. realised its message of female empowerment would be right at home today.
Tuesday, December 12, 2017
Monday, December 11, 2017
投名状 10th anniversary
10 years ago this month. a surprisingly sensitive blockbuster. in my opinion Jet Li's greatest "acting" performance.
Monday, December 04, 2017
i like motion pictures
Ruben Ostlund is a master of dread and The Square is probably his magnum opus. some brilliant set pieces although it's more a collage and i feel his Force Majeure is a tighter film.
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